Date
11.16.2013
Time
18:30 - 20:00
Venue
National Gallery & Alexander Soutzos Museum - Annex in Nafplion
Address

23, Sidiras Merarchias Str.
21100 Nafplion
T: +30 2752021915
F: +30 2752021935

Organiser

National Gallery & Alexander Soutzos Museum - Annex in Nafplion



Opening Hours:
Wednesday & Friday: 10.00-15.00 & 17.00-20.00
Monday, Thursday, Saturday, Sunday: 10:00-15:00
Tuesday: closed
Monday: admission free of charge

Chronis Botsoglou conversed with the audience at the National Gallery and Alexander Soutzos Museum Annex in Nafplion regarding his work ‘A Personal Nekyia’ (1993-2000), a polyptych of 26 paintings, 5 of which were presented in the exhibition ‘Somatographies – Contemporary Greek Painting from the Sotiris Felios Collection’.

Chronis Botsoglou is one of the most significant painters of Greek, post-war art. In this work he encounters the decay of the human nature, the cycle of life and death, and the relations between the work of art,the past and art history.

‘Personal Nekyia’ is of autobiographical nature, based on Odyssey’s 30th Rapsody. Botsoglou as the Necromancer recalls significant people in his life and depicts them in a dark space.

The painter, after forty years of deep spiritual quest, elaborated on how this work came to life and how it lead him to unravel his true self, a route to self-awareness. In 1993 he submerged himself in his memories and retrieved images of personal experiences, in search of the essence of memory. He noted characteristically: “Every time you recall memories, the images change; there is no prime memory. My intention was not to recreate the life I have lived, but to discover the way I remember”.

Professor Giorgos Veltsos, who took part in the discussion, remarked that Chronis Botsoglou while painting lowers himself. He also commented on the painter’s agony to ‘trouble’ his morphoplastic expression (the various techniques of his materials) in his attempt to express his emotional world.

This interesting conversation with the creator of ‘Nekyia’ was an opportunity to understand the complex technique that the artist used to depict his beloved ones, as shadows, from memory. Furthermore, Chronis Botsoglou confirmed that art requires inner discipline and research. It is evident that his artistic inquiries creatively become his “life’s work”, the legacy of our cultural heritage.

Mrs. Lambrini Karakourti-Orphanopoulou
Curator of the National Gallery Annex in Nafplion

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